{"id":535,"date":"2011-12-20T18:47:40","date_gmt":"2011-12-20T17:47:40","guid":{"rendered":"http:\/\/xn--bykadada-65ab.biz\/?p=535"},"modified":"2011-12-31T20:27:06","modified_gmt":"2011-12-31T19:27:06","slug":"aliye-berger-1903-istanbul-1974-istanbul","status":"publish","type":"post","link":"https:\/\/xn--bykadada-65ab.biz\/?p=535","title":{"rendered":"AL\u0130YE BERGER (1903, \u0130stanbul – 1974, \u0130stanbul)"},"content":{"rendered":"

Ad\u0131n\u0131 geni\u015f sanat \u00e7evrelerine ilk kez 1954’te Yap\u0131 Kredi Bankas\u0131’n\u0131n d\u00fczenledi\u011fi yar\u0131\u015fmada\"\" “\u0130stihsal” adl\u0131 esriyle birinci se\u00e7ilerek duyuran \u00fcnl\u00fc sanat\u00e7\u0131 Aliye Berger 9 A\u011fustos 1974’te \u0130stanbul B\u00fcy\u00fckada’da \u00f6ld\u00fc.<\/strong> Sanat\u00e7\u0131 bir aileden gelen Berger, \u015eakir Pa\u015fa’n\u0131n son k\u0131z\u0131, Halikarnas Bal\u0131k\u00e7\u0131s\u0131 ile Fahr\u00fcnnisa Zeid’in karde\u015fi ve F\u00fcrayya Koral ile Nejat Devrim’in teyzesiydi.
\nRenkli ki\u015fili\u011fi ve ki\u015fili\u011finin d\u0131\u015fa yans\u0131mas\u0131 olan rengarenk, zaman\u0131na g\u00f6re u\u00e7uk olarak nitelendirilebilecek giyim tarz\u0131 (sa\u00e7lar\u0131na rengarenk fiyonklar takmas\u0131, me\u015fhur rengarenk fularlar\u0131) yine zaman\u0131na g\u00f6re b\u00fcy\u00fck \u00e7o\u011funlu\u011fu sanat\u00e7\u0131 olan ve sanat\u0131n her alan\u0131na ilgi duyan, d\u00f6nemin modern ailelerinden biri olan \u015fakir pa\u015fa ailesine mensup olmas\u0131n\u0131n da etkisiyle- rahat tav\u0131rlar\u0131, \u00f6zg\u00fcrl\u00fc\u011f\u00fc, sanata olan yakla\u015f\u0131m\u0131 kal\u0131plara girmeden, deneyerek yeni teknikler \u00fcretmeye \u00e7al\u0131\u015fmas\u0131, bunu payla\u015fma heyecan\u0131 ve iste\u011fi sanat\u0131n\u0131 a\u015fk\u0131yla ya\u015famas\u0131 ve ya\u015fatmas\u0131 ile t\u00fcrk sanat\u0131n\u0131n en ilgi \u00e7ekici mensuplar\u0131ndan biri.\"\"
\nAliye Berger, 1903’te \u0130stanbul’da do\u011fdu, buradaki Frans\u0131z okullar\u0131nda e\u011fitim g\u00f6rd\u00fc, resim ve keman dersleri ald\u0131. 1924’te T\u00fcrkiye’de bulunan Macar keman virt\u00fc\u00f6z\u00fc ve pedagog Karl Berger’den m\u00fczik dersi alan sanat\u00e7\u0131 1935’ten 1939’a kadar Berlin ve Paris’te karde\u015fi Fahr\u00fcnnisa Zeid’in yan\u0131nda kalarak Avrupadaki sanat hareketlerini izledi.
\nAliye Berger’in ya\u015fam\u0131ndaki d\u00f6n\u00fcm noktalar\u0131ndan biri de Macaristan’daki halk ayaklanmas\u0131na kat\u0131ld\u0131ktan sonra T\u00fcrkiye’ye s\u0131\u011f\u0131nan Karl Berger ile tan\u0131\u015fmas\u0131 oldu. Bu sayede ger\u00e7ek ve \u00f6l\u00fcms\u00fcz a\u015fk\u0131 da tan\u0131d\u0131 Berger. 23 y\u0131l s\u00fcren bir a\u015fk \u00f6yk\u00fcs\u00fcn\u00fcn ard\u0131ndan 1947’de evlendiler. Ancak bu evlilikten alt\u0131 ay sonra Karl Berger, B\u00fcy\u00fckada \u0130skelesi’nde ge\u00e7irdi\u011fi bir kalp krizi sonucu \u00f6ld\u00fc. Sanat\u00e7\u0131, e\u015fi \u00f6ld\u00fckten sonra Londra’ya giderek John Buckland Wright’in At\u00f6lyesi’nde heykel ve grav\u00fcr \u00e7al\u0131\u015ft\u0131, 1951’de T\u00fcrkiye’ye d\u00f6nd\u00fc\u011f\u00fcnde ilk ki\u015fisel sergisini a\u00e7t\u0131.
\nUluslararas\u0131 Sanat Ele\u015ftirmenleri Derne\u011fi’nin (AICA) 1954’te \u0130stanbul’da toplanan kongresi nedeniyle Yap\u0131 Kredi Bankas\u0131’n\u0131n d\u00fczenledi\u011fi yar\u0131\u015fmada ilk ya\u011fl\u0131boya \u00e7al\u0131\u015fmas\u0131 “G\u00fcne\u015f” adl\u0131 tablosuyla birincilik \u00f6d\u00fcl\u00fcn\u00fc, bir y\u0131l sonra ikinci Tahran Bienali’nde ikincilik \u00f6d\u00fcl\u00fcn\u00fc ald\u0131.
\nSanat\u00e7\u0131 Aliye Berger, d\u0131\u015favurumcu oyma bask\u0131lar\u0131 ile tan\u0131n\u0131r.
\nAliye Berger desen ve ya\u011fl\u0131boya resimler yapt\u0131ysa da \u00e7o\u011funlukla oyma bask\u0131 tekni\u011finde, siyah-beyaz\u0131n ara tonlar\u0131nda yap\u0131tlar verdi. Z\u0131mpara ka\u011f\u0131d\u0131, kasap ka\u011f\u0131d\u0131 ve t\u00fclbenti malzeme olarak kullanan sanat\u00e7\u0131 g\u00fcnl\u00fck ya\u015fam\u0131n kal\u0131plar\u0131n\u0131, \u0130stanbul’un \u00e7e\u015fitli k\u00f6\u015felerini bazen ger\u00e7ek\u00e7i, bazen de fantastik bi\u00e7imde, \u00f6zg\u00fcn bir lirizm ve d\u0131\u015favurumculukla yans\u0131tt\u0131. 1951-54 aras\u0131 oyma bask\u0131 tekni\u011fini yaymak amac\u0131 ile, \u0130stanbul manzaralar\u0131 ve tebrik kartlar\u0131 da \u00fcretmi\u015ftir.\"\"
\nRenkli ki\u015fili\u011fi ve ki\u015fili\u011finin d\u0131\u015fa yans\u0131mas\u0131 olan rengarenk, zaman\u0131na g\u00f6re u\u00e7uk olarak nitelendirilebilecek giyim tarz\u0131 (sa\u00e7lar\u0131na rengarenk fiyonklar takmas\u0131, me\u015fhur rengarenk fularlar\u0131) yine zaman\u0131na g\u00f6re -b\u00fcy\u00fck \u00e7o\u011funlu\u011fu sanat\u00e7\u0131 olan ve sanat\u0131n her alan\u0131na ilgi duyan, d\u00f6nemin modern ailelerinden biri olan \u015fakir pa\u015fa ailesine mensup olmas\u0131n\u0131n da etkisiyle- rahat tav\u0131rlar\u0131, \u00f6zg\u00fcrl\u00fc\u011f\u00fc, sanata olan yakla\u015f\u0131m\u0131 -kal\u0131plara girmeden, deneyerek yeni teknikler \u00fcretmeye \u00e7al\u0131\u015fmas\u0131, bunu payla\u015fma heyecan\u0131 ve iste\u011fi\u00a0 sanat\u0131n\u0131 a\u015fk\u0131yla ya\u015famas\u0131 ve ya\u015fatmas\u0131 ile t\u00fcrk sanat\u0131n\u0131n en ilgi \u00e7ekici mensuplar\u0131ndan biri.
\nT\u00fcrk resmine \u00e7ok say\u0131da eser kazand\u0131ran Aliye Berger, 1974 y\u0131l\u0131nda, do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc ve \u00e7ok sevdi\u011fi B\u00fcy\u00fckada’da ya\u015fama veda etti.
\nT\u00fcrk resminin unutulmaz sanat\u00e7\u0131lar\u0131ndan Aliye Berger, sanat anlay\u0131\u015f\u0131n\u0131 bu c\u00fcmlelerle anlat\u0131yor.
\n“A\u015fkla ya\u015fad\u0131m. \u00d6l\u00fcmler bile \u00f6ld\u00fcremedi bendeki a\u015fk\u0131. Co\u015fkuyla, a\u015fkla ve sevgiyle yaratt\u0131m ne yaratt\u0131msa…”<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ad\u0131n\u0131 geni\u015f sanat \u00e7evrelerine ilk kez 1954’te Yap\u0131 Kredi Bankas\u0131’n\u0131n d\u00fczenledi\u011fi yar\u0131\u015fmada “\u0130stihsal” adl\u0131 esriyle birinci se\u00e7ilerek duyuran \u00fcnl\u00fc sanat\u00e7\u0131 Aliye Berger 9 A\u011fustos 1974’te \u0130stanbul B\u00fcy\u00fckada’da \u00f6ld\u00fc. Sanat\u00e7\u0131 bir aileden gelen Berger, \u015eakir Pa\u015fa’n\u0131n son k\u0131z\u0131, Halikarnas Bal\u0131k\u00e7\u0131s\u0131 ile … Okumaya devam et →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"_links":{"self":[{"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=\/wp\/v2\/posts\/535"}],"collection":[{"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=535"}],"version-history":[{"count":10,"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=\/wp\/v2\/posts\/535\/revisions"}],"predecessor-version":[{"id":540,"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=\/wp\/v2\/posts\/535\/revisions\/540"}],"wp:attachment":[{"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xn--bykadada-65ab.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}